Friday, January 24, 2014

1945 Victory jumper - 3. progress



After 2 days of 'speed-knitting' 2x half of the sleeves are ready. This time the sleeves are smaller, there is less pattern repeat in the width but a little more lengthwise to achieve the same look as in the picture above.

Actually, after getting to the armhole part I just started knitting the another sleeve instead of starting with the decrease in the evening. (Knitting+watching tv works only if you are not involved in knitting increase/decrease or intricate patterns...) I'm trying to finish and set in the sleeves this weekend and hope to finally see the overall fit!

Wednesday, January 22, 2014

from designer dresses to body image

   

So, what's wrong with these dresses?
Whenever I see a red-carpet picture of a celebrity the first thing I check is the fit of the garments. Not he total look, the accessories or the colors. Is that weird? One thing I often see is designer garments which somehow seem to be out of proportion, mostly regarding the length. As discussed in another post here designer outfits of celebrities are most of the time samples and not made to fit.

proportions
When we see the garments on the runway or in promotion pictures we see the tall and thin fashion models of 5'9" (=180cm) high and taller. Celebrities come in every size, and although they often are (too) thin, because 'everyone looks bigger on screen' (yeah, right...) most of them don't have the height of a runway model. Often, the petite actresses are wearing the prettiest runway designs. This means, when a garment fits them in the width it will be automatically too long as well. Let's take a look at two examples:

Claire Danes wore this Dior S/S 2014 dress about a week ago. The original runway dress below has a fitted bodice and a high waisted pencil skirt with an elegant, just-below-the-knee length. The pockets add an almost sportive detail. The actresses skirt has an odd length which hits her somewhere between the calves and the ankles. (and it is not only because the picture is made from another angle!)
   

Keira Knightley wore this vintage inspired Chanel dress recently:

Keira's dress looks out of proportion too.  The fit of the bodice is ok, but the skirt is way too long for her. Laura Ingalls, anyone? I couldn't find the runway picture of this dress, but I'm sure it is not intended to look like this. The seam hits her legs at the ankles which gives the dress an oversized, and rather matrony look. A shorter length would be much more youthful and flattering for her. How about a shorter, pretty tea-length?

the intention of the designer
The interesting question is of course, what was the intention of the designer? Would shortening the skirt ruin the total proportions of the garment (bodice vs skirt) or would it help to achieve the right proportions: a skirt with the right length in combination with a well-fitting bodice?
We all are familiar with the never-ending debate about the length and weight of fashion models. Who wouldn't remember the famous declaration of Kate Moss: "Nothing tastes as good as skinny feels" and the controversial "little too fat" comment of Karl Lagerfeld on the weight of singer Adele. Just look at these idealised design drawings - Miley Cyrus tour costumes by Cavalli and Pucci tour costume design for Beyonce. We know, both ladies have a slender figure, but how ridiculously long are those legs?! Spiderwoman is born...and reborn...


body image and marketing
We are still talking about celebrities, but how does this influence of our,  'average' people's body image? The University of Bath conducted a survey in 2006 about how women felt about thin fashion models in ads. The results were quite surprising (or not?...)
"Researchers from the University of Bath found that two-thirds of women they interviewed reacted favourably to print advertisements featuring thinner female models whereas less than a third liked models of a larger size. Those who preferred thinner models tended to believe that weight can be controlled by dieting or exercise. They tended to think the thinner models were more elegant, interesting, likeable and pleasant."
The population they interviewed consisted of 460 undergraduates, so sadly, this is the way young women felt about beauty back in 2006. I'm sure this image didn't change during the past years.

weight loss
Weight loss seems to be the theme of our times. Not surprisingly, even back in the early 1930's advertisements promoted weight loss all the time. Nothing has changed, they promoted 'simple' methods to lose weight, of course 'without dieting or exercise'. Below two ads from 1934 and 1935. Watch the marketing strategy: While one is quite rude, talking about "unnaturally bulging hips", "unlovely waist" the other refers to health hazards associated with obesity like a high blood pressure... (they didn't tell you don't get high blood pressure from a few extra pounds 'ugly fat' and called their product 'Youth-o-form' which suggested you even could look younger by losing weight:
   

Did you know that back in the 1940's the shape of the mannequins were adjusted for the new fashion trends? Yes, we are talking of the famous Dior New Look, which I personally don't like because the corseted, unnatural lines. (For me, that was the end of my dear, 1940's fashion era) If you read the article you'll discover that the mannequins were made taller and thinner because that was what 'average' women wanted to see. 70 years before the survey mentioned above!

there is hope
Personally, I don't feel good when I try on an outfit which looks fab on the thinner than thin mannequins in the store and looks ridiculously different when I try it on. I'd really prefer to see those outfits on a more 'average'  sized mannequin, and often wonder how would those garments look on an XL body? Don't you? On the bright side, the English department store Debenhams unveiled their size 16 mannequin for a trial in 2013:
   
"Like most retailers Debenhams generally uses standard size 10 mannequins in window displays. But with the majority of women in the UK either a size 14 or 16 it was time for us to take notice and try something a bit different. Our Head of Creative, Mark Stevens, told us about the idea behind this trial: “We are proud to offer a broad and varied choice for women of all ages, shapes and sizes in store. So we thought we should reflect this in our window displays. If it’s popular with customers we would love to roll it out.”
Wow, what a difference! I'd love to see those mannequins everywhere, don't you? Sadly, no other department stores are planning to follow this example. Wonder, what would it take to make that happen?
Anyway, it's time for a recap on the designer outfits and celebrities we started with. We can conclude, that being thin doesn't mean that an any expensive designer outfit would look great on you. I also believe that any garment that is made to fit could look great on you, even if it's not an expensive one.
What are your thoughts on the subject?

Monday, January 20, 2014

1945 Victory jumper - 2. on track again...or not?



Well, don't be fooled by this picture! This was the case in the morning. Now the jumper is sleeveless again... Victory became officially my jumper from hell!


The story (or should I say, saga?!) so far:
As far as construction goes instead of following the original pattern I followed my own 'blueprint' pattern, both for the stitch-count and for shaping the armholes. (Actually for the third time, as I didn't share my second jumper between the TH and Victory.) The neckline was a bit of freehand work this time, I wanted a wider ribbing than on my Top Honours jumper, but didn't want a too high neckline (like the original) so I lowered it a bit.
Somehow, I just don't know what happened, it turned out a size smaller in width than my TH jumper. Instead to grow, the lacy pattern somehow shrunk. Sounds weird, right? After blocking the results were reasonable, but I couldn't say I was in love...
Anyway, learned my lesson, but still started out the sleeve the wrong way.
Thought to be smart, I added a row of increase after the ribbing, like my blueprint pattern instructs. Instead of the expected results, the lace pattern seemed to grow this time, adding  too much ease with a blousy look, instead of the perfect fit.

Since I really want another perfect jumper decided to frog this sleeve (proudly produced past week - sigh..... and start all over again.
I must say, at this point I'm not completely sure that I'm going to leave the bodice as it is. I'd rather frog it and knit it up again than having something that's not perfect.

My plan for the next 1.5 week:
- start to re-knit the sleeves, this time using the stitch-count of the original pattern
- after finishing the sleeves sew it into the armholes, try the whole thing on and decide whether it looks good or not. (worst case scenario: frog and re-knit the bodice)
- try to finish the whole thing by the end of this month?!
- Yes, I am definitely knitting for victory!!!!

the pattern
Since I didn't share much information about the pattern yet, here is a little introduction:
'Victory' is a pattern from the collection of the English Victoria & Albert museum. Among other patterns from magazines and a couple of Bestway leaflets it is available as a free download. How about these other jumpers from the Woman's Weekly Magazine? I wish all editions of those would be available online!!! There is 'Neat and feminine' and the 'When you're off duty':


There is also 'A new design in cable stitch' or a 'Waistcoat for warmth':


My choice was the 'Victory' jumper, and as it is the 'Top Honours' it is from the war-winning year of 1945, featuring the English national colors of red, blue and white. I really like this bold, strong combination! (fun fact: these are the national colors of the Netherlands as well)


The yarn I use is again my fav.: drops baby merino in the shades 30 (dark)blue, 16 red and 02 natural:


pattern chart


The pattern envelope says it is 'such an easy pattern', because  only two rows complete the pretty scalloped stripe pattern. It is truly easy to memorize.
The stripes are formed by altering 6 rows in blue, 4 rows in red, 2 rows in white, 4 rows in red (my camera seems to fight with the bright red, but you get the idea...)

Thursday, January 16, 2014

Schiaparelli-chic 1937


"Originality, plus simplicity of line is the secret of chic."

Schiaparelli wearing her own design: a shoe-hat (black wool, winter 1937/38)

Elsa Schiaparelli (1890–1973) was an Italian fashion designer. She ruled the fashion world of the 1920's and 30's along with Coco Chanel. Like Chanel she retired soon after WW2. One of her most famous deaigns is Wallis Simpson's lobster dress which she created in collaboration with Salvador dali. She contributed to fashion articles from time to time, in several magazines/newspapers during the 30's. In 1937 she gave her 7 rules on how to dress chic.

Wallis Simpson wearing Schiaparelli's famous Lobster dress

schiaparelli's seven rules 
On how to dress chic:
1. simple, beautiful lines and good (quality) materials
2. spotlessly clean clothes
3. be tidy, take good care of every garment
4. in color matching garments
5. dress to suit the occasion
6. keep a small stock of matching clothes
7. spend to buy the very best quality of accessories (shoes, hats, bags) you can afford

1934 spring inspiration: the third and fourth models from Schiaparelli: blue wool suit and white cotton blouse with linen lace ending on the jabot, black wool coat with silver fox scarf

The key is to invest in small stock, but matching clothes, made of quality materials. Nowadays it is easy to forget the importance of quality, when we can buy new, cheap clothing for every season. Looking at myself I prefer to invest in just one or two better pieces (on sale) than filling my wardrobe with tons of cheap and 'fashionable' clothes each season. On the downside, I must say, I looooove colors, and little details so often forget to buy clothes that I can wear in different combinations.
I don't follow the newest fashion trends, and prefer to wear my own, authentic mix of vintage inspired and modern day garments, and I certainly invest in good quality accessories. How about you?


Schiaparelli blouses from 1938: pink Vyella fabric with brown leather buttons, crochet hat, Vyella jacket blouse with chinese collar and leather buttons.
did you know that...
...Vyella fabric was a twill weave blend of 55% merino's wool and 45% cotton in the early 20th century? Later they modified the fabric mix in 80% cotton and 20% wool. In the early years, the fabric’s unique selling point was its combination of lightness and fashion, whilst providing warmth and durability.

1939 beautiful felt hats, left a cocoa-brown forward jutting beret from Schiaparelli


Source newspaper image: AWW through trove

Sunday, January 12, 2014

1945 Victory jumper - 1. an abandoned knitting project



You might have spotted By Gum, By Golly's 'Knit for Victory' banner in the side-bar. It seems like I've started this 40's challenge knitting project ages ago (somewhere in november 2013) but after a rather enthusiastic start I begun to doubt wether I liked the results...
It is another free jumper pattern from the internet, from the collection of the Victoria & Albert museum and there are quite a few gorgeous jumpers out there, made from this pattern. It looks so flattering on everybody, I just had to make one for myself!
   Knit for Victory: a 1940s-inspired knit-along

I thought this 1945 jumper named 'Victory' would be perfect as my 'Knit for Victory' project! Back then (seemingly) I had plenty of time, so I thought I could easily finish it by the end of january. I choose to use the original 'national' colors: navy, red and white. I've ordered the wool (my fav: drops baby merino) a few months ago when it was on sale: 30 (navy)blue, 16 red, 02 natural


As usual, I started with my trusted 'blueprint'  pattern. Why would you change something that works? I thought that I would knit the lace pattern more loosely, normally I have that with repeated yarn-overs, so instead of a size 3.5 I started with a metric 3 needle. Of course, I didn't make a swatch and of course, the lacy pattern wanted desperately shrink in width, rather than stretching out...

By the time I started to realize I was going from zero ease to a negative ease I was too far progressed and almost finished the front and the back (knitted in round as always) And then...I just didn't know what to do and have put the jumper away. For quite a while...

And now, with only 2 weeks left I pulled it out to decide on it's faith. Frogging or finishing? When you observe the original picture you can clearly see that the lace pattern is supposed to be steamed open  (how could I missed that?!) so I decided to steam block the piece. Then I tried it on and it didn't look bad at all! Of course, it didn't look exactly the way like my Top Honours jumper looked like, it was just different. This might be the problem after all: the fit is just not the same.
Normally it wouldn't be a problem, but in my imagination it was supposed to look exactly the same, right? Have you ever had the same problem? The garment you were making appeared to be different from the garment you thought you were making?...
Let's hope I manage to finish my Victory jumper in the next 2 weeks!

Want to join this 1940's challenge?
Well, there is still enough time to join the 1940's 'Knitting for Victory' project, if you are planning to make something small! I'd recommend a few patterns from my blog, listed under 'free knitting patterns', going from easy to more difficult:
- 1940 pleated scarf
- 1943 servicewomen gloves
- 1942 lacy gloves

Saturday, January 11, 2014

Expensive dresses aren't always made to fit...



Michelle Dockery and Glamour Luncheon in a Barbara Casasola dress.
So, what's wrong with this picture?


While this dress looks truly stunning with it's 30's geometric simplicity and bold marigold-mustard color, as a hobby seamstress I can't stop looking at the totally wrongly placed apex of the dress due to a pair of hanging tits... Below the campaign picture, this is how the dress is supposed to fit: 

Sunday, January 5, 2014

2013 in review


2013 was definitely 
- a year of knitting! 
- discovering the 1930's
- exploring the WW2 era
- making an extensive series of posts on Miss Lemon's very 30's wardrobe
- getting into vintage knitting patterns
- knitting my first gloves
- knitting my first 40's jumpers
- re-discovered crochet
- a lot of diy in the new house
- after 1.5 years moving in our new home
- hopefully the last year on thyroid medication! (I'm aloud to stop now for 2 months and might be part of the lucky 40-50% who goes in remission from Grave's disease after a year of treatment)

plans for 2014
- finishing the 40's jumpers I'm working on (they won't be 2013 project anymore although about 80% of the knitting is finished)
- sharing more vintage baby bootie patterns since these remain popular little gifts (I've made a few posts already)
- continue knitting
- return to sewing!!!